Mr.Cartoon’s sexy L.Apocalypse gives aesthetic meaning to the sugar high/*
Mr. Cartoon’s delicious “Ice-Cream Truck” installation at the Los Angeles MOCA “Art in the Streets” exhibit is a paean to L.A. lowrider culture and the city’s cult of hedonism and entertainment. This exultant spectacle is proudly entrenched in the anti-pristine context of LA.’s mythically degraded urbanism. Mr. Cartoon’s revamped, tricked-out symbology is intoxicating: clown-faced, trench-coated policemen, the billowing, whirling orange smog that evokes ice-cream soda foam, the lowriding cadillacs morphing into dripping banana splits with pin-up bunny-face girls lounging in the back seats, and, most syrupy-caustic of all, the “illegal alien”, a sombrero-ed, mustachoed little green man on a popsicle stick. The truck is decked out with colorful video on lowrider culture and shown in a shallow pool of candy. Rarely has the city’s (or pop culture’s, for that matter) heady cocktail of subculture, politics, and flashy style found such viscerally pleasurable and yet mordant expression in Mr.Cartoon’s graffiti poem of sex, pollution, sugar and violence.
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